but rather a generic and unidentified location
dating to the second half of the 1800s
a light and meditative presence rather than a realistic landscape element
As Calza writes in his curation of 1982
for the magazine Verve vol
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 30, 1834 vasi but rather a generic andBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New