Performance contexts: Matthew Bourne and Athol Fugard AQA In most of the sessions

In most of the sessions the class will be playing the same role

This approach means that the students will be assessed on practical demonstration of their performance skills but also on how they interact with outside bodies and agencies

none of them are serious enough in themselves to warrant postponement of the examination day

Artaud’s references to John Ford’s Tis Pity She’s a Whore in ‘Theatre and the Plague’ make a clear link between his vision of theatre and the darkness and violence of Jacobean revenge tragedy

expertise in and knowledge of explorative strategies

Performance contexts: Matthew Bourne and Athol Fugard AQA In most of the sessionsThis unit is assessed by a two hour written paper. There are three sections, one for each art form, dance, drama and music. Each section has three practitioners and there is a choice of two questions for each practitioner. The current choice of practitioners is: Dance Matthew Bourne Shobana Jeyasingh Lloyd Newson Drama Caryl Churchill Athol Fugard John Godber Music John Adams The Beatles George Gershwin Depending on staffing, the centre could offer