Kleine une mittlere Gespenster - Albert Oehlen (und Maya) design as well as an appendix

as well as an appendix with archival material related to a panel Johnston organized in 1969

navigating existence with graceful frugality

Veronika Georgieva

organizing high-powered exhibitions that doubled as political protests

but the implications of this evolution go far beyond the typography

Kleine une mittlere Gespenster - Albert Oehlen (und Maya) design as well as an appendixAlbert Oehlen is not the sort of artist who worries much about preserving things. Nothing is sacred, not even his own paintings. For his Rookie Book, he and his daughter Maya grabbed some scissors and applied them to one of his catalogues with the calm determination of someone who has never once considered the consequences. The result is an endearing parade of small and medium sized ghosts.