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wovon er geträumt hat
Just like the fonts
1975 in Prague) is an independent curator and art columnist
Carmen Mörsch beschreibt wie kunstvermittelnde Körper mehr vermitteln als nur Kunst und lädt zum Aufsetzen einer diskriminierungskritischen Brille ein
designers created objects
Blind Folly or How Tacita Dean Draws signage wovon er geträumt hatIn this book, curator Michelle White considers the unique and timely implications of how the artist Tacita Dean draws. Covering over three decades of work, from sweeping chalk landscapes to fleeting celestial phenomena on film, White proposes that the artist approaches drawing as an indeterminate journey of fate and folly, chance and medium. She argues that Deans strategy of adopting blindness to make an image is an urgent response to our culturally,
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