Grant Green: Solid 1LP (Blue Note Classic Vinyl Series) ETJSAU-112.2 as Ubiquity's sound settled into

as Ubiquity's sound settled into the blend of jazz improvisation

Wrong Handle

alto saxophonists Lou Donaldson and George Coleman

The music showcases a level of comfort and interactivity that far transcends the vast majority of “with strings” projects on the jazz record shelf

and Bill Evans is sophistication personified at the piano

Grant Green: Solid 1LP (Blue Note Classic Vinyl Series) ETJSAU-112.2 as Ubiquity's sound settled intoBlue Note, 1979 In Spring 1964, guitarist Grant Green recorded two blazing post bop albumsMatador and Solidboth of which would go unreleased for more than a decade as Blue Note instead decided to release the guitarists organ based soul jazz outings of the time. Green had hinted at this post bop direction on his 1963 masterpiece Idle Moments, and for the Matador session assembled a quartet with pianist McCoy Tyner, bassist Bob Cranshaw, and Elvin